Robben Ford - Blues For Guitar. Original Title robben ford - blues for guitar. Did you find this document useful? Is this content inappropriate? Report this Document. Flag for inappropriate content. Download now. Save Save robben ford - blues for guitar. Original Title: robben ford - blues for guitar. Related titles. Carousel Previous Carousel Next. Jump to Page. Search inside document. The idea is to give you some sense of flow, and also help learn the form of 12 bar Blues.
Observe the jump from the first Bb eighth note on the E string to the second one on the B string. Subtle changes like this are very important in Blues playing. This is a subtle phrasing technique which I hope you can hear on the tape. The point is to exaggerate the bend a little.
The phrase in the 2nd bar plays right off the V chord F7 spelling out the chord for the listener. The same leap occurs from the first Bb eighth note on the E string to the second Bb eighth on the B string, and the eighth note rest between them creates a gap, almost like a deliberate stumble.
Once again a certain tension is created. The quick 16th notes in bar 2 create a little break from the basic triplet feel that's been pretty constant so far. The double stop using 2 notes at once in bar 2 puts the minor 3rd and major 6th flat against each other creating that sound and tension mentioned earlier in the book.
It is like playing in the relative minor key Gm7 in this case , which is a good position for playing major Pentatonic lines in the tonic key Bb in this case. The phrasing has the quality of stopping and starting, sort of a stumbling effect. The first bar I find to be very funky. But Ford, who crosses many idioms, really CAN play the blues.
This dvd or video is especially good because you can isolate some of things he does and learn it note by note—then you realize that this man is like a treasure chest full of licks.
The only other blues guitarist that phrases this well is B. Ford plays like B. Robben Ford — Back to the Blues. Robben Ford — Highlights. It helps establish a groove that the soloist can then work over. Blues In this example, Robben shows how the some five chord voicings con work in another key, over o dierent thythm feel.
In the 2nd and 3rd choruses he introduces some ofthe riffs ond patterns first discussed in Exomples 23 ond If the chord looks unfamiliar, hy sliding it down to 1st position where it would become a C7. Notice that the root is doubled on the top and bottom 2nd and Sih sings of the chord. Here, the Sth sring root is replaced by placing F the Sth of the chord on the Ist string. Of course, by sliding it up two frets you get the F7 V7] chord. Only the first note i attacked.
Only touching the with the tet first note stings near hand. Wee and the Yellowjackets. All music is written in standard notation and tablature. Tonich Blues. Burkhard Schnierer. Rich Roberge. Michel Lopni. Marcelo Passos. Enrique Maldonado. Riccardo Sergio. Tim Mapstone. Anonymous qLJd1kf4. Gabriel Terra. Antariksh Pratap Singh. Vicente Ambrosio Torres. Luca Amatruda. Thuy Tien Nguyen Hoang. Ben Nainggolan. Bouchaib Lbriki. Akash Sood. Understanding Parameters Influencing Tire Modeling.
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